|
Future of Feminism: Are women returning to a 1950's mind-set? |
folesha |
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Feminism's Future |
folesha |
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Real Terminators? |
Wyatt Alvarenga |
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The Ugly Truth: It Ain't a Pretty Picture |
mark fullmer |
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Main film genres |
jimin lee |
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action movies genre |
jimin lee |
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Future of Marriage: Is traditional matrimony going out of style? |
Lesley S. Gamby |
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Marriage and Divorce: Is it time to crack down on easy divorces? |
Lesley S. Gamby |
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Statistics: partners living together before marriage |
Lesley S. Gamby |
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Film Review Help |
Brandon Watson |
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rogerebert.com |
jennifer santoro |
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Western Films |
Jordan Bonifacio |
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top movie opening weekends |
Richard Green |
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The Matrix and the Medium's Message. |
Steven Kim |
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WESTERN FILMS |
Daniel Miranda |
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From Shane to Kill Bill: Rethinking the Western |
April Wilson |
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FUNNY PEOPLE: SCHOLARLY CRITICISM |
Karen E Baek |
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Film Bodies: Gender, Genre, and Excess |
Karen E Baek |
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2012 movie review |
Harpreet Gill |
|
Twilight: The new obsession |
Jonathan Choi |
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Twilight: The new obsession |
Jonathan Choi |
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Where The Wild Things Are Analysis |
Ryan Stone |
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The Day After Tomorrow |
Vivien Lee |
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Despair and Hope in American Depression Literature |
Jay Welch |
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Female monsters: Horror, the ‘Femme Fatale’ and World War II |
Jennifer Monsalud |
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America's obsession with slasher films |
Mohammad Khalil |
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From Shane to Kill Bill: Rethinking the Western |
Alyx Asakawa |
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Navigating alternative worlds; Sci-fi films that peer into the dark corners of the digital age are a sign of our times. |
Adrienne Kennedy |
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Metal Performance Humanizing Robots, Returning to Nature and Camping about |
Joanne Han |
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Crime and Gangster Films |
Andy Chiang |
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MOVIES AS MIRROR ON SOCIETY |
Monique Neal |
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Fantasy Movies: A good trend for a change |
asma wahab |
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Action heroes and literate sidekicks: Literacy and identity in popular culture |
Sadaf Sarwary |
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Tarantino with a Vengeance; What Does the Scattershot Director Care More About: Saluting His Cult Favorites or Making His Own Art? |
Paul Gurule |
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Revenge, our cinematic tradition; Vigilante justice is a movie genre that has never gone out of style with Americans. |
mazy karandish |
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Dead Man Still Walking: Explaining the Zombie Renaissance |
Chris Nguyen |
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Black viewers divide on film's 'Precious'-ness |
Ameya Upasani |
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The Twilight Saga: New Moon |
Azita Mahmoudian |
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Reading the Kung Fu Film in an American context: From Bruce Lee to Jackie Chan |
theo ngo |
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The Consumer Culture |
William Chung |
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Media Vampires, Beware; [Arts and Leisure Desk] |
Chloe Vu |
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Superhero Genre: The Sub-Genre of the Action Film |
Olivia Vought |
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Writing about Films |
Andreas Attai |
|
Science Fiction films |
Youna Kang |
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Martial Arts Films and the Action-Cop Genre: Ideology, Violence and Spectatorship |
Joseph Dennis |
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The Wild East: Deconstructing the Language of Genre in the Hollywood Eastern |
Alexandra Concepcion |
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FROM SHANE TO KILL BILL: RETHINKING THE WESTERN |
Marco Freyre |
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Superheroes get super makeovers |
Norman Cunanan |
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Clint riffs; He's a Hollywood icon -- actor, director, composer. Just listen as . . . |
ChristineWang |
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Alternate Americas: Science Fiction Film and American Culture |
roxan shoa |
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Hard-Boiled Fiction and Film Noir |
Maryam Bakhshaei |
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Scholarly writers empower the romance genre |
leyann smili |
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The Future of the Western Genre |
rmcgirr1 |
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The Invention of the Western Film: A Cultural History of the Genre's First Half-Century |
Anonymous |
|
The Geopolitics of Kung Fu Film |
Andy Nguyen |
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The “ins” and “outs” of today’s society |
Madina Aschrafnia |
|
What Is Mormon Cinema? Defining the Genre |
Dylen Suite |
|
Story Fanatic: Why The Hangover Is So Good |
Juan Nabong |
|
Wanted |
Cathy Tseng |
|
A Psychological Analysis of Chuck Palahniuk's Fight Club |
Helen Situ |
|
(Random) Other Film Categories (Animated, British, Classic, Children/Family, Cult...etc) |
Chanel Tsai |
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The Difference Between Men and Women, Revisited: It's About Competition |
Karen E Baek |
|
Dudes Doing Vegas: Eating and Other Stuff |
Jacob Wisdom |
|
Concepts in Film Theory |
ChristineWang |
|
Film |
Karen Vaughn |
|
‘Precious’ and the Pushback |
Rosalia Pantaleon |
|
Western Films or Westerns |
szargar |
|
Parents and Schools |
Phoebe Lee |
|
Where the Wild Things Are |
ASHLEY COLBERN |
|
Horror films: current research on audience preferences and reactions |
Sal Felix |
|
Post-Apocalyptic Science Fiction |
bakir_sonic |
|
What's My Genre |
Cathy Tseng |
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Framing Blackness: the African American image in film |
A.J. Albert |
|
Why Youth and the Level of Respect for Elders and Authority Has Decreased Over the Years |
szargar |
|
A Global Warning |
Vivien Lee |
|
Sex and the City |
raveena.dhaliwal |
|
Movie review: '2012' is a perfect disaster |
Amber Araiza |
|
Double Take: Wonka Vs. Charlie |
Karla Alonzo |
|
Hanging on a star: The resurection of the romance film in 1990's |
tahaahmed |
|
End of the world 2012 |
Vivien Lee |
|
The Day After Tomorrow |
Vivien Lee |
|
Romantic Comedy: boy meets girl meets genre |
Danielle Boyd |
|
vampires in popular culture |
Madina Aschrafnia |
|
Plenty of fresh blood for vampires and their fans; The undead are alive and thriving, with still more movies and TV shows coming to feed an unholy hunger |
Madina Aschrafnia |
|
Death Takes a Hike |
Erin Morgan |
|
HOLLYWOOD FILM AS PUBLIC PEDAGOGY: EDUCATION IN THE CROSSFIRE |
xiaoli lin |
|
Move Review: '2012' is a perfect disaster |
Andrea Iglesias |
|
2012- Movie Review |
Ashley Hoy |
|
match point |
alirezalaghaee |
